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Everlasting Pagan Flame
05:24
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Cold Winds of Desolation
06:11
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Baptized in Blasphemy
03:41
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Funeral Mass Gdańsk, Poland
Frozen Black Metal from Gdańsk, Poland.
Formed in June, 2018
Kamil Żerański - Guitar/Vocal
Jerzy Wieliński - Bass
Jędrzej Nowakowski - Guitar
Grzegorz Warszawik - Drums
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supported by 8 fans who also own “Cold Winds of Desolation”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable...
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supported by 8 fans who also own “Cold Winds of Desolation”
Exquisite harmonies resonate profoundly! Such a resounding melody, finely woven. The shadows intricately entwine with the mellifluous riffs, crafting a sublime symphony of darkness and bliss.
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supported by 8 fans who also own “Cold Winds of Desolation”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
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featured on Bandcamp Radio Mar 17, 2023
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Nel Nome Del Codice
by KEYGEN CHURCH
The eerie grandeur of horror film pipe organ music gets an industrial lift on the latest killer from Keygen Church.
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The Way Of Ancients
by Volcandra
featured on Bandcamp Radio Mar 1, 2024
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Life has gone on long enough
by NONE
supported by 7 fans who also own “Cold Winds of Desolation”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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